In the opening of John Carpenterās Escape from L.A., an earthquake separates Los Angeles from the mainland,Ā and the city is repurposed into āthe deportation point for all people found undesirable or unfit to live in a new, moral America.ā The filmās premise (like that of Escape from New York, which it follows) taps into a deeply held sentiment about its setting. Los Angeles has long been seen as an absurd concentration of all the qualities that make California unlike the rest of the United States. California remains a state apart in a metaphorical sense, but there was a time when it was also thought to be a state apart, literally: that is to say, an island.
The wordĀ California originates in a novel, published in 1510, calledĀ Sergas de EsplandiĆ”n. In that book it refers to āan island populated by black women without any men existing there. On the entire island, there was no metal other than gold.ā Author Garci RodrĆguez de Montalvoās tantalizing description of California ā as well as of the ābeautiful and robust bodiesā of its women ā got Spanish seafarers curious about the extent to which it could have been based in reality.
(At that time, the mass-printed novel was still an enrapturing new development.) This account comes from Youtuber Johnny Harrisā video above,Ā āThe Biggest Mapping Mistake of All Time,ā which connects this fantastical literary invention to centuries of geographical misconception.
The conquistador HernĆ”n CortĆ©s seems to have been the first prominent figure to feel the pull of California. And he certainly wasnāt the last, despite never quite having managed to pin the place down. Spainās most ardent California enthusiasts held so fast to the notion of its being an island that it spread elsewhere in Europe, and eventually to London. With the perception thus legitimized, California appeared disconnected from the North American coast on maps printed as far away as Japan. Harris credits Californiaās āmythical pull,ā then as now, with making it āa place where people go to dream bigā ā and often āto chase dreams that arenāt grounded in any sense of reality.ā Fortunately, he himself lives in Washington D.C., where delusions are wholly unknown.
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Based in Seoul,Ā Colin MarshallĀ writes and broadcasts on cities, language, and culture. His projects include the Substack newsletterĀ Books on Cities,Ā the bookĀ The Stateless City: a Walk through 21st-Century Los AngelesĀ and the video seriesĀ The City in Cinema. Follow him on Twitter atĀ @colinmarshall, onĀ Facebook, or onĀ Instagram.